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Tom
Vance Biography
It
was August 27, 1998, sixty two years to the day from when then Governor
Henry Horner dedicated the park in 1936, and State dignitaries were
gathering at Lincoln
Log Cabin State Historic Site for another
dedication ceremony. Twenty years in the making, a new three million
dollar visitor center stood as a centerpiece in what was once a sleepy,
marginal state park. Governor Jim Edgar had returned to the park he had
visited often while growing up in nearby Charleston, Illinois to cut the
ribbon opening the new facility.

Although I didn’t know it at the time, completion of this building also
signaled the near completion of my tenure as Historic Site Manager of
Lincoln Log Cabin. I would continue for a little more than four years
and over-see the development of the permanent exhibits, auditorium and
orientation film, but in 2002, after 28 years at the site, and when the
State offered an early retirement package, the time was right to move on
to a new phase of my life.
People ask me what I’m doing now that I’m "retired". Well, as a person
who needs to have a vision to work towards, I’m developing my interest
in writing, song writing, recording and performing. I’m starting with
the 50 plus songs that I have written and this website which will make
my songs and writings more widely available.
Erin, my daughter, and I have recorded
a children’s CD and
two Christmas CDs. I have completed a CD of Favorite Covers and am working on a CD
of my own songs. Ideally I’d like to do programs that combine my songs
with short talks and discussions about personal and spiritual
development. I would also be open to other opportunities that might
present themselves. It’s another exciting adventure and beginning, so stay in
touch and see how the story progresses.
I
now live in Charleston with my wife Susan who works at Sarah Bush
Lincoln Health Center. Erin has recently finished a
degree from the University of Illinois in Leisure Studies and is now
working in the St. Louis area. My other
pursuits include working with the
Five Mile House Foundation of which I
am president this year, and the
Charleston Rotary Club for
which I served as president in the 2006-2007 year. I am still
active with Rotary and serve as Club Service Director.
My Early Life and Interests
I
was born in Danville, Illinois in 1946. My grandfather had been
Superintendent of Schools, and my father ran a television business among
other things. My early interests centered around nature, the outdoors
and Scouting. Having played the clarinet and accordion in earlier years
and singing in the high school chorus, I was introduced to the guitar
while working at the local Boy Scout summer camp in 1963. An immediate
fascination lead to my acquiring a guitar and taking lessons. Within a
year or so, some Scouting friends and I had formed a local band, and I
wrote my first song, “John Pierre” in 1965. I also continued in Scouting
and a number of us older Scouts broke away from Troop 8 and formed an
Explorer Post specializing in American Indian Culture.
After two years at the local area college, I transferred to the
University of Illinois in the fall of 1966, majoring in Forestry and
Wildlife. At the U of I my old band picked up Don, a lead singer. Don
played guitar, so he encouraged me to learn chord organ which I did and
purchased a pretty cool Vox Continental organ. The band hung on for a
while, but then in the fall of 1967, I helped form a new band called
The Tea Garden Smoke.
The Tea Garden Smoke
The Tea Garden Smoke just seemed to work from moment one. Craig, a
friend from Danville Scout and band days, played bass, lead guitarist
Mike, was from Rockford and lead singer Harry, was from Wheaton. Harry
was a real showman and could sing Grace Slick better than Grace could.
Some of the songs we did included Jefferson Airplane’s Do You Want
Somebody to Love, Hold On, Light My Fire by the Doors
(great organ riff), a Vanilla Fudge version of You Keep Me Hanging On,
Sgt. Pepper Lonely Hearts Club Band and A Day in the Life
by the Beatles and Jimmy Hendrix Fire, along with many other
popular songs of the day. Our drummer, Lonnie, was from Champaign and
had a particular double beat on the bass drum that gave the band a
driving rhythm that audiences really liked, and the organ gave the band
a sound that was popular at the time. Rich, our rhythm guitarist was in
the ATO fraternity and got us lots of Greek gigs. There’s nothing more
fun than the Greek parties at the U of I. FIJI Island and a gig in a
barn north of town in particular stick out in my mind. We also had a
psychedelic light show to top it all off.
The band lasted until the end of 1968 when we all kind of went our
separate ways. I traded my organ and a couple of other guitars for an
Ovation 12 string Balladeer, which I still have. Ovation was only a
couple of years old and mine is an early model. A 12 string is neat, but
not suited to every application, so a couple of years later, I bought a
used Yamaha 6 string which is still my main guitar today. I also
resurrected my song writing and into the 70s I went. Early influences
were Simon and Garfunkel and Peter, Paul and Mary, but in the 70s I
discovered John Denver, Gordon Lightfoot and all the other greats of
that period.
What the Heck are Thrips,
Anyway?
I
finished my undergraduate degree in 1969 and having nothing better to
do, decided to go to graduate school in Entomology. During my last
undergraduate year, I had a job mounting Thrips, a microscopic insect,
for Lew Stannard at the Illinois Natural History Survey. He liked my
work and me and offered to secure a Research Assistantship for me, which
would pay my tuition and provide me with some income to pay for a car
while I went to school. I
moved back home to Danville and commuted the 30 miles to the U of I each
day.
I
finished my Master’s Degree by the fall of 1971 and my thesis on the
identification of immature thrips and life cycle of soybean thrips
became a very nice publication for the Natural History Survey. My first
job was as a naturalist at Kickapoo State Park west of Danville. My wife
Susan was also from Danville and just finishing up her teaching degree
at Eastern Illinois University when we were married in February of 1972.
We rented a house from some friends west of town and began married life.
The Kennekuk Indian Hobbyist
Association
At
about that time, most of the members of our Indian Lore Explorer post
were becoming adults, so we formed the Kennekuk Indian Hobbyist Association to
continue enjoying our interest in Native American Culture. The group
sponsored an Indian Hobbyist Powwow at Kickapoo Park on Memorial Day in
1971 which is what gave me the inside track when a naturalist job opened
up that December. We did three more annual powwows, the last of which
was in 1974 just before I took the job at Lincoln Log Cabin south of
Charleston. Sue and I maintained our ties with the Danville group,
however, and in 1975 we even hosted National Powwow III at the fair
grounds southwest of Danville.
One of the things that we did was to learn Indian singing and form a
drum of about 5-6 of us plus our wives. We met once a week and sang
round dance songs, war songs, trot dance songs, snake and buffalo dance
songs, two step songs and 49er songs. It took me about two years to
internalize Indian singing as the beat of the drum is just opposite of
the beat of the song where as in other music the two beats are the same.
I kept my drumbeater in the car for the two years I was commuting to the
U of I and would usually sing all the way over and back. What was
interesting was to pull up next to someone at a stop light with my
drumbeater going on the dashboard.
A Naturalist At
Kickapoo State Park
At
Kickapoo, I developed nature trails, led school groups on thematic field
trips, developed a “nature-mobile” to go on the back of a pickup that
could take nature displays out to the picnic areas and campgrounds,
planned the annual powwow, supervised the summer recreation program of
crafts for camper children and did campfire sing alongs. When Dan Walker
became Governor in 1973, his budget cutting included my naturalist job.
I transferred to an open Ranger position at Kickapoo for about a year
which was primarily maintenance work, so when a position came open at
Lincoln Log Cabin, I was ready to go.
The Lincoln Log Cabin Years
Sue and I moved into the small brown house at Lincoln Log Cabin in June of 1974. With only one maintenance
worker and two seasonal employees, life was pretty much in the slow lane
at the site to start with. In actuality those early years in the 1970s
hold some of the best memories as we made new friends and embarked on an
exciting journey of transforming the site into a modern open air, living
history museum. I went back to Eastern Illinois University and completed
a second Master’s degree in Historical Administration and began visiting
other open-air museums around the country, mainly through conferences
sponsored by the regional and national living history organizations MOMCC
and ALHFAM. The
idea for developing the Thomas Lincoln farm into a living historical
farm and the need for a modern visitor center facility became obvious
and that’s the direction we headed. About 28 years later, two living
history farms and a three million dollar visitor center were in place,
and early retirement incentives encouraged me to move on to the next
phase of my life. But Lincoln Log Cabin holds the memories of many
wonderful friendships and good times as well as the birth in 1983 and
the first 20 years of life for our daughter Erin.
As
music played an important part in the lives of people in the 1840s, it
also played an important part in the programs at Lincoln Log Cabin. One
of the things we found when we moved the 1843 Sargent house to the site
was a fretless wooden banjo neck. I had already learned to play the
banjo to accompany 19th century songs at site special events
such as the 1845 Independence Day celebration. The song Buffalo Gals,
for example was written in 1844 by a minstrel named Cool White. As his
minstrel band played in different cities and towns around the country,
they would sing the song according to the town name. For example, if
they were playing in Baltimore, they sang it Baltimore Gals. The
song gained its permanent name after a big show in Buffalo, New York in
1848. But being in the year 1845 at Lincoln Log Cabin, we sang the song
Charleston Gals, (or what ever other area town we were in) and
the song is still a mainstay in my sing along program today. And
speaking of sing along programs, I began doing sing along programs for
nursing homes and other groups by the early 1980s. Sue sang with me and
we took Erin along. She had several children’s songs that she did, and
then she usually danced and stole the show while Sue and I sang. Then in
1982, Sue and I formed an acoustic group with friends Steve and Toni called
Driftwood. We specialized in easy listening folk and pop
music with strong harmonies and good acoustical instrumentals.
A Quest For Personal Development
Another interest that began for me in the early 1980s is the area of
Personal Development and Self Improvement. Goal setting, Time
Management, personal motivation, spiritual understanding, meditation,
stress management, even going beyond fears and blocks through fire walking,
have all played a part in my life. I have come to believe in
the vast potential of the human mind and the concept that it acts much
like a computer that has had both positive and negative programming put
into its data base. These programs then act on a subconscious basis to
move us forward or hold us back in life. The trick is to find ways of
enhancing the positive programming and minimizing the negative
programming. I have also come to believe that what you focus on is what
you create in your life. Many people focus on what they don’t want and
then they’re surprised when it shows up.
So, there it is, my life in a nutshell. Stay tuned for the next chapter
as well as more in depth information in the Wit & Wisdom section, but this is a good overall summary
for now.
Thank You All
My
sincere love and gratitude go out to all of the people who have been a
part of my life over the years, to all those who have taught me so much
about myself and about life, to my recent and current coaches in success, voice, guitar
and banjo, Julie Roy, Frances Crawford, Myles Womack and Steve Worthy, and most of all to
my wonderful, understanding wife and daughter, Sue and Erin. Thank you
all.
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